No other example of this model is known to survive, although an ebonised and parcel-gilt version is recorded in the Chubb & Son Archive (see Widar Halén, Christopher Dresser, Oxford, 1990, pp. 72-73).

Although combining elements derived from ancient Greek and Egyptian chairs, Dresser's design has an originality of interpretation that pervades many of his historically-based creations.

For other surviving examples of Dresser's furniture for the Art Furnisher' Alliance see, in particular, Michael Whiteway, Christopher Dresser 1934-1904, Milan, 2001, figs 184, 185, 190, 192 and 193.